June 27, 1963
PRODUCTION REVIEW supplement to KINEMATOGRAPH WEEKLY
barry gray
Musical Director
a. p. films ltd. slough
Composer, Arranger & Specialist in Electronic Music
Responsible for original music in all A.P.F. Productions
including
including
′′supercar′′ & ′′fireball xl5′′
complete dubbing
and
scoring facilities
Dubbing from 8 channelsand
scoring facilities
Scoring from 10 channels
Up to a 40–piece orchestra
Westrex Loop–post–synching
transfer facilites
¼" Tape, from 16m/m magnetic17 • 5 magnetic and 35 m/m
F.C.M. on to 35 m/m F.C.M.
projection
Two 35 m/m ProjectorsOne 16 m/m Projector
g.h.w. productions limited
the gate recording theatre
| Some features dubbed at the Gate Recording Theatre: | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| dylan thomas | for | jack howell's prods. | live now pay later | for | woodlands prods. | now it can be told | for | dorton prods. | ||
| devil's agent | „ | emmet dalton prods. | the maniac | „ | hammer films | fireball xl5 | „ | a. p. films | ||
| day of the triffids | „ | security pictures | station six sahara | „ | c c.c. films | supercar | „ | a. p. films | ||
| lake wilderness | „ | satour | the party's over | „ | tri-castle films | the ceremony | „ | laurence harvey | ||
| to catch a rhino | „ | satour | (left bank) | prods. | ||||||
